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Welcome to The Literary Pig's blog - a safe haven for all those afflicted with
the unbearable urge to write.

Saturday, 7 June 2014

Making 'Making the Grade'

Last week I had a story 'Making the Grade' in The People's Friend. Inspired by my writing chum's (Wendy Clarke) posts sharing the inspiration behind her published short stories I thought I do the same for this story. Basically I stuck with the old premise of 'write what you know' and the story is largely
based on a real experience. The story is about a mother and son both taking piano exams at the same time and then waiting for the results.

My teen son reached Grade 7 on the piano and much of his youth was spent at music recitals and festivals, all fun events. He still plays now. In fact he always plays when he needs to relax - so as he's in the middle of his A'levels right now he's playing daily, which is always a treat for us as he is a very good pianist. And I really did take my Grade 1 piano exam as an adult - my son's piano teacher at the time (he was already on Grade 3 by then) tutored me right up to the exam. But the exam was truly terrifying. In the waiting room I was surrounded by small children (all under ten) clutching the same Grade 1 book of tunes as me. At the grand piano my hands shook so badly I could hardly play. The lovely examiner, an elderly gentleman with an elaborate bow-tie, patted my shoulder and whispered it 'was all over now' and I could relax with a nice cup of tea. Something stronger would have helped more. I vowed my days of taking any exam were over - never again. Life was far too short to put myself through such stress.

The short story was an imagined event but containing several real experiences. It was written almost a year ago and the original feedback from the lovely Shirley Blair (Fiction Editor at TPF) was that she loved all the description, but wanted to know more about the mother's motivation for taking the exam in the first place. If I added this it would take the story over their minimum word count of 1200 words, as my original submission was only a 1,000. This point also demonstrates how important it is to read a magazine's submission guidelines! I hadn't checked them for sometime and didn't realise they had a minimum word count - lesson learned ...

The revised story was posted and after a couple of months I received another lovely email from Shirley (she is a joy to work with) buying the story. Another good thing about TPF is they reject stories quickly, usually within a week. This can be a bit of a shock, but is preferable to waiting the 3-4 months, or longer, (I'm not naming them) from many other magazines just to hear bad news. It means you can re-work and re-sub somewhere else quickly - always a bonus.

Okay, this is only the second story I've sold to TPF so my success is not exactly prolific, but I do wait until I have something I think will suit their needs as the editors really do know what their readers like. If you want to submit then read the weekly and monthly special editions to find out the range of stories they accept. You will notice Wendy Clarke's name in just about every issue. Read any of her stories to understand that TPF want a well-written story with great characters and satisfying endings.

Friday, 23 May 2014

Before the Fall by Juliet West


I'm delighted to welcome Juliet to the blog today to talk about her debut novel ...

Juliet West’s debut novel Before the Fall is described as a ‘compelling, moving tale of a love affair, set in the East End during World War One and based on an unforgettable real life story’. And yet it is so much more.
When my proof copy first arrived a terrifying thought sprang to mind: what if I hated it? What if I couldn’t finish it? Suddenly reviewing a friend’s debut novel wasn’t such a good idea. But then I started reading and all these silly fears dissipated before I’d turned the first page. I was gripped by Hannah’s voice and story, reading the whole book over a couple of days.

The novel weaves between Hannah’s narrative (first person) and Daniel’s story (third). It was the genuine voices of the main characters that hooked me. They are complex and intelligent, yet both outsiders not really ‘fitting’ in with their working class friends and family. Hannah is struggling to find any meaning in her life. Her husband volunteered early for the army leaving her and their two children to live with Hannah’s sister. Daniel has a protected job in London’s dockyard so hasn’t been called up. Being a fit young man he’s the target of malicious gossip and the white feather brigade. The two outsiders are inevitably drawn to each other, with tragic consequences. I don’t want to give anything away, but I finished this book with tears running down my face. The story seems even more poignant when you learn it’s based on a real story – more on this in Juliet’s interview below.

Juliet’s writing has the same melancholic and haunting atmosphere of Helen Dunmore. Honest storytelling, lyrical yet fluid and so readable. If you enjoy Dunmore’s novels then I think you’ll love Before the Fall.

Here is an excerpt: “ I think the war is everywhere in the rain, in the river, in the grey air that we breathe. It is a current that runs through all of us. You can’t escape the current; either you swim with it, or you go under.”

I’m sure you’ve guessed, but I highly recommend this novel. And if you’re already suffering WW1 overload then please don’t overlook this novel. It is intriguing to hear the stories of those who endured the Great War at home. I found it refreshing to read about the war from a domestic perspective.

......

Juliet West worked as a journalist before taking an MA in Creative Writing at Chichester University. Her poetry and short stories have been published in various magazines and anthologies including The French Literary Review, Ink, Sweat and Tears, and The Sunday Times online magazine. Juliet’s debut novel, ‘Before the Fall’, is published on May 22nd 2014 by Mantle/Macmillan. She lives in West Sussex with her husband and three children.

Twitter @julietwest14

Q:  Hannah and Daniel are complex main characters, but come across as very real to the reader. I also understand Before the Fall is based on a true story. Can you tell us more about the background to the novel - without giving too much away of course. How did you first come across the story?
I first heard about this story nearly eighteen years ago when I was working as a newspaper journalist in London. During the First World War, a young soldier’s wife had fallen in love with another man while her husband was abroad fighting. Their affair ended dramatically in 1918, leading to a murder trial at the Old Bailey. Police and court documents relating to the case had been released by the Public Record Office in Kew, and I co-wrote a feature which appeared in January 1997 under the headline: ‘A soldier at the Front, a wife at home and a tragic betrayal’. 

The story was so poignant and shocking – it haunted me for years, and I really wanted to explore it in more depth. But it wasn’t until 2010 that I finally started to research and write the novel.

I should mention that ‘Before the Fall’ is a fictionalized version of the story, and that the names Hannah and Daniel are not the real names of the people involved. Although I remained very true to the key events, I did invent a wider cast of characters in order to create believable worlds for Hannah and Daniel. So characters such as Hannah’s best friend Dor, Daniel’s landlady Mrs Browne and his neighbour Sonia are all fictitious.
Q: I was intrigued to learn from the novel that London had been bombed by German Zeppelins and planes during WW1, air raids are something you associate with WW2. Before the Fall is distinctly set in the Eastend of London where Hannah lives and you've captured the setting and people so well. How much research did you undertake for the novel? Can you share some of your research process, for example did you do all the research before you began writing?
Initially I was very daunted by the prospect of research. I’d studied history at university, yet I’d never attempted to write historical fiction and hadn’t a clue where to begin.

In the end, my approach was unsystematic (polite way of saying ‘chaotic’). I researched as I wrote, usually from home, reading history books, biographies, memoirs and browsing countless World War One sites on the internet. I also had several field trips to the East End, especially around Docklands and Whitechapel, walking the streets and visiting local history archives and museums. In fact the research wasn’t a burden at all. I absolutely loved it and found myself more and more fascinated by the period.

Of course the difficulty of becoming immersed in another world is that you end up with so much material that it’s hard to know what to leave out. I wanted to avoid the clichés of rattling trams and flickering gas lamps, but ultimately these were very much part of the London landscape one hundred years ago, so the odd tram has crept in…
Q: You read a beautiful but poignant poem at a recent poetry event and I know you enjoy writing poetry. As well as working on novels can you tell us more about other writing projects and successes.
Thank you, Tracy, I’m glad you enjoyed that poem. I do love reading, writing and discussing poetry, and a couple of my poems have been published. However I’d hesitate to call myself a ‘proper’ poet. One day I’d like to study poetry in greater depth – I want to know about spondees and anapests! - but for now I just dabble when the mood takes me. I probably write only two or three poems a year. Must do better.

While I was studying for my MA in Creative Writing (at Chichester University), I concentrated on short stories and started submitting to competitions. For ages I didn’t have any luck, and then my short story ‘Beauty in the Bog’ won the H E Bates prize and went on to be published in the Sunday Times online magazine. This was a massive confidence boost. I’d definitely encourage other writers to submit to competitions. If a story isn’t placed, don’t lose heart or take it personally. Toughen up, tweak, and re-submit!
Q: I believe you have a 2-book deal with Macmillan. Now Before the Fall is out in the shops are you working on book 2. Can you tell us anything about it and when it will also be available?
Book 2 is another historical novel, but the setting and the characters are very different to ‘Before the Fall’. This book is set in Sussex and London during the summer of 1935. It’s about love and family loyalty, set against the political backdrop of this era. It’s not a war novel, but certainly the legacy of the First World War, and the fear of a future conflict, are relevant to this book.

I hope to complete the first draft by the end of this year, but I don’t want to jinx my progress by suggesting a publication date!
Q: Finally, Juliet, if, or should I say when, Before the Fall is optioned for film or TV who would you choose to play Hannah and Daniel? If you could have a part then which character would you like to play?
Ha, you never know! It’s a difficult question to answer, though. Because I’d seen a photograph of the real-life Hannah, this was the only face I pictured when I wrote the book. She was a petite woman with beautiful wide eyes and dark hair. Audrey Hepburn circa 1953 is the closest I can get.

I have no idea what real Daniel looked like - the only description is that he was a tall, broad man. But I’m sure he must have been very attractive for Hannah to have fallen for him, given everything that was at stake. Jon Hamm with a Cockney accent, perhaps?

As for which character I’d play, this is even trickier as I haven’t acted since I was about twelve (in a school assembly - a Coronation Street spoof, in which I played Deirdre Barlow). Probably I would be the café owner, Mrs Stephens, grimly chopping onions in the kitchen.

Thank you, Juliet for stopping by today. Hope you are recovering after the launch party yesterday - it was a great "do" and a terrific venue for a book launch (The Library at The Proud Archivist, Haggerston)
Top right photo:  Juliet giving her speech
Bottom right photo: Juliet and Tracy with a copy of the book!
.....
Finally, here are some links to where you can buy Before the Fall

Wishing Juliet every success and many sales for Before the Fall. It deserves to do well!


Wednesday, 7 May 2014

Clink, clink

We're still celebrating the Indoor Writer's good news. Have you heard she's made the shortlist for the 2014 Commonwealth Short Story Prize? You can laugh at her picture and read all about the writers involved here. As you can imagine she's rather proud to be part of such a distinguished group of writers.

We had to keep the news quiet for almost 3 weeks and I was sworn to secrecy. But once the shortlist
was released we celebrated in the usual fashion. And I believe she's
off to munch teacakes with her writing buddy, Wendy, this morning.

Trotters crossed for the next round - the regional winners will be announced on 14 May...



Please be assured that no Literary Pigs were harmed in the making of this blog post.

Wednesday, 30 April 2014

Judging a competition by its judge

If you regularly enter writing competitions then will a 'named' judge make a difference to you? I have many reasons for entering particular competitions and confess that a big name judge makes a difference to me. I've entered several of Retreat West's short and flash story competitions (read more here) solely because of the judge involved i.e. Jane Rusbridge, Paul McVeigh, Tania Hershman to name a few. I came runner-up in the 'A Pet' themed competition judged by Jane Rusbridge (July 2013) - the voucher was a bonus as for me the best bit was receiving her comments, all very constructive, on the story.

Amanda Saint is the brains behind Retreat West and I'm pleased to welcome her as a guest on the blog today. She's kindly agreed to answer some questions ...

Q. Do you think having a named judge makes a difference to a writing competition? What impact does it have on numbers of entries for Retreat West competitions?
Personally, when I enter my work into competitions I'm attracted by the judge and would always try and send something if it's a writer whose work I admire. When I started the Retreat West short story comp I wanted to have established authors as the final judges for two reasons: to attract more writers to enter and to give them the opportunity to have their work read by writers that they like. The competition has been growing steadily and each time the number of entries increases, sometimes only slightly but I'm hoping that I can keep growing it and keep getting great judges involved.
Q. You've had some big names (and more to come) judging. How do you know all the judges? (I'd kill for your address book!)
In the first year of the competition I knew most of the judges personally. I try to attend events and workshops as much as I can, mainly to keep learning but also to get out and meet people as its a very solitary life working at home, so had known most of them for a while. But other authors, such as Nicholas Royle, who's judging the next flash competition, I've just approached and asked them to take part. I'm very lucky that, so far, everyone's said yes! Social media is also a great place to meet and get to know other writers, and that's how I knew Tania Hershman, who judged the first flash competition earlier this year.
Q. Your writing competitions are usually themed. Is this something you let the judge choose or do you propose the theme to the judge?
I choose the themes but I'd be more than happy for a judge to choose if they wanted to. Some of the themes from last year's competition I tried to tie in with the judge. For example, Shaun Levin launched his Writing Maps project last year so the comp he judged was a map theme. Alison Moore is judging the June competition this year and I asked her to read fear themed stories as her writing is often cited as sinister. It must be catching as when she ran the workshop at the lighthouse retreat last year, most of the work we created through the exercises also had a sinister undertone! Will be interesting to see if it happens again at the literary fiction retreat workshop she's running this year.

Q. Are there any contemporary writers you'd love to have judging a competition, and why, but haven't reached out to yet? 
One of my favourite authors is Margaret Atwood and I'd love to have her judging a dystopia themed competition. I love a good dystopia story but really admire how she writes really great stories across so many different genres. I haven't reached out to her yet as I doubt very much if I could afford her fee! Maybe if things keep growing and going well...

Blimey, I'd be first to enter any competition with Margaret Atwood as the judge! Keep us posted on that one, Amanda. And thank you coming along today.

Keep an eye on Retreat West's competition listings as coming up in the next couple of months they have the following judges:
Nicholas Royle - Flash Fiction <500 words, theme: Medicine, closing 31 May
and 
Alison Moore - Short Story 500 - 1500 words, theme: Fear, closing 30 June.


You can read the 2013 short story competition winning stories in the anthology:
The Colour of Life and other stories
Available from Amazon here.
Here comes the plug ... containing my short story ‘Monsters’.

Keep writing ...


Saturday, 19 April 2014

Help!

We're a little behind in our reading at present. This Shelfie shows the backlog of books on the to-read
list. Eeek! Not to mention the 8 novels and 3 short story collections on the Kindle. Plus 3 months backlog of Writers' Forum and Writing Magazine ...

Some days all I want to do is read, read, read. But the echoing shriek is when, when, when? Lots of writing projects in progress and the novel is going well. Any spare moment is spent getting fresh air and exercise - to compensate for time on bottom staring at screen.

Have just started Elly Griffiths 'A Room Full of Bones' - the 4th Ruth Galloway novel. I first met Elly  at Steyning Festival in 2012 where she read my story at a competition prize giving. Then met her again the other week at the Hove Book Festival. She is a fun speaker and shared some wonderful top tips about finding a literary agent. She also shared that the BBC have optioned the Ruth Galloway books (she's a crime solving Forensic Archaeologist with attitude and a very dry sense of humour), but sadly have not yet started filming. I highly recommend this series - Ruth is an unusual protagonist, being overweight, single and loving her cats more than her friends, she also has a complicated relationship developing between her and the DCI she keeps solving murders with.

Then today the postman brought 2 books I've promised to review, plus a package of several books ordered online, which I have to read for my MA assignment. Heaven knows where I'm going to put them ... let alone when I'm going to read them ...

I don't need a writing retreat as I have no excuses, other than housework (ugh) and family commitments, to write during the day. But I really do fancy sneaking off for a reading retreat ... any suggestions?

Wednesday, 9 April 2014

Playing with words

Some good news arrived last week for The Indoor Writer: an invitation to attend a performance of the winning entries from the Five 'n Ten (Sandalle's international stage-writing) competition. Even better was the news that her 5 minute piece was a winner in the monologue category and it would be performed at the event! The prize also includes a one hour session with a BBC Script Editor (a former
winner in the monologue category) and lunch with the actors involved. What a treat! She's thinking of dragging Handsome Hubby and the Tame Teenager down to Wales (Neath, nr Swansea) and making a family weekend outing of the experience - hope she remembers to pack me ...

To have your drama performed in a theatre by actors is the ultimate credit for a playwright. This is going to be a high point of the year. Watch this blog for a full report post 8th June.

If you have a short play already written or have an idea for one then why not have a go and enter one of these drama competitions for 10 minute plays:

Little Pieces of Gold New Writing Showcase:
10 min play for max of 4 actors on theme: To ‘like’ or not to ‘like’? 8 short plays about social media

Submission deadline: 5 May
No entry fee
Email entries only
8 winning plays will be performed at on 16 June, Park Theatre London. (Note: BBC scouts often attend these performances to 'scout' out new drama talent ...)
Details of rules and how to enter are here.

Pint-Sized Plays:
Plays of 5-10mins length. Suitable for performing in a pub. This is what the organisers have to say:
We often get queries about Pint-sized Plays asking just what and what is not possible.  I hope that the following will prove useful in helping you to judge whether your submission will be suitable. Fundamentally, the first thing to know is that (with the exception of the Script Slam) the plays are not performed in a theatre, they are performed right in a pub bar. So you don't have the luxury of lighting effects, or scenery or any such stuff.

Having said that, the play doesn't have to be specifically centred in a pub. It can be anywhere, but there are important considerations. The only props are those that the cast might reasonably carry and any furniture has to be what is already there. Bear in mind that, when we set up the 'playing area', it might be in a corner of the bar or right in the middle amongst the punters. So, for the play to work, the audience has to be able to imagine what you're imagining.

Entry fee: £5.50, online or postal entries acceptable.
Submission deadline: 31 May
Details of rules and how to enter are here.

If there are any playwrights out there then let us know how you get on ...

Friday, 4 April 2014

Jonathan Cape opens submission window

Publishing group Jonathan Cape are open for submissions for a short period...


CALL FOR SUBMISSIONS

From 1–30 June, 2014, Jonathan Cape will be open for fiction submissions from new writers of high calibre and imagination. 
Submissions should be an initial 50 pages of prose fiction. These can be part of a novel or novella, or short stories. The pages can be finished work or a work in progress. 

Full details are here.

They don't make any promises, but if you have material ready then what's to lose?